cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Paramita Atmodiwirjo
Contact Email
paramita@eng.ui.ac.id
Phone
-
Journal Mail Official
interiority@eng.ui.ac.id
Editorial Address
"Department of Architecture Faculty of Engineering, Universitas Indonesia Kampus UI, Depok 16424 Indonesia"
Location
Kota depok,
Jawa barat
INDONESIA
Interiority
Published by Universitas Indonesia
ISSN : 26146584     EISSN : 26153386     DOI : 10.7454
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Social Sciences
The journal presents the discourses on interiority from multiple perspectives in various design-related disciplines: architecture, interior design, spatial design, and other relevant fields. The idea of interiority emphasises the internal aspects that make and condition the interior, which might be understood and manifested through the users’ inhabitation, through the materiality of objects and built environment as well as through specific methods and approaches of design practice. The journal addresses the idea of interiority as both experienced and practised, which might be examined through theoretical discussion, spatial design practice and empirical interior research.
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 2 No 1 (2019)" : 7 Documents clear
Interior Decoration to Exterior Surface: The Beleaguered Relief Hedges, Susan
Interiority Vol 2 No 1 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (414.819 KB) | DOI: 10.7454/in.v2i1.45

Abstract

Surface articulation is a critical issue for interior architecture, and this paper sees the wall as a point of intersection where art and structure may converge and collide. A place of experimentation and a site of performance, built volumes and surface embellishments blur and reinforce edge conditions and ornament as embellishment and essential structure merge. This paper explores a sculptural relief Copper Crystals (1965) constructed by Jim Allen for the ICI (Imperial Chemical Industries) House (1964) situated at 61 Molesworth Street in Wellington, New Zealand. Following the building's failure, due to a 7.8 magnitude earthquake, the sculptural relief survived a five thousand tonne demolition. Construction, size and position of the work have contributed to its survival, partly because the relief shifted from surface activation to structural member. This paper investigates the relief as it protrudes from the surface of the building’s interior. Surface, layer and structure extend beyond the planar, producing a range of complicated effects. Visible and invisible incrustations, geometric forms and structural matrices, transform and become linked to depth, substance, mass and thickness (Papapetros, 2013). The demarcation of the essential and inessential is blurred, and the perception of ornament as dangerous during earthquakes is subverted. This paper focusses on material mediation and points to new ways of interrogating the materiality and functionality of surface and places over time.
Contested Interiority: Sense of Outsideness/Insideness Conveyed through Everyday Interactions with University Campus Doors Stafford, Lisa
Interiority Vol 2 No 1 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (203.325 KB) | DOI: 10.7454/in.v2i1.47

Abstract

Our sense of place in the world is mediated through our everyday interactions with both people and space (Seamon, 1985). Everydayness is one of the most profound levels and shapers of human experience, yet too often this level of relation is overlooked and taken for granted in the design of environments (Dyck, 2005; Tuan, 1977). In this article, I present a first-person phenomenological account of my everyday interactions with doors on a university campus to uncover contested notions of interiority. My body-space routines reveal how a sense of outsideness/insideness is controlled through my interactions with objects such as doors, door handles and thresholds. These accounts suggest that given our everyday activities are intrinsically linked to designed environments (Upton, 2002) and that interiority is relational (Atmodiwirjo & Yatmo, 2018), adopting an everydayness frame from diverse users’ perspectives is imperative to improve human experiences and spatial justice within design practice. This is critically important for non-normative bodies like mine whose subjective experience of interiority is constantly being disputed and denied by hostile materiality.
Designing the Threshold: A Close Reading of Olafur Eliasson’s Approach to ‘Inside’ and ‘Outside’ Dincer, Demet; Brejzek, Thea; Wallen, Lawrence
Interiority Vol 2 No 1 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (565.741 KB) | DOI: 10.7454/in.v2i1.48

Abstract

This article discusses Icelandic installation artist Olafur Eliasson’s approach of the threshold as a productive liminal space rather than as a static boundary between the inside and the outside. Often defined as the physical division between the interior and the exterior in architecture, the authors argue that by looking at Eliasson’s works in detail, the threshold’s inherent capacity of comprising a dynamic dialogue between inside and outside where one is determined by the other unfolds. This paper proposes that designing the relationships between inside and outside involves subtle renegotiations and redefinitions of conventionalised notions of their boundaries and a resultant emergence of new design strategies. Eliasson designs thresholds in diverse ways that he analyses and provokes the spatial associations between inside and outside, interior and exterior. While in Eliasson`s work the categories of inside and outside remain mutually exclusive, they physically co-exist at the same time; deliberately refracted, juxtapositioned, connected or confounded in an experimental yet rigorous approach that employs different scales and common characteristics. Seventeen of his works are analysed and grouped into four different threshold design strategies that result in an object, an association, an event and an immersive space.
Self Storage: A Contemporary Archaeology of Domestic Interiority Filippides, Emma
Interiority Vol 2 No 1 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (525.743 KB) | DOI: 10.7454/in.v2i1.50

Abstract

This architectural historical study aims to interrogate rituals of contemporary inhabitation in the United Kingdom by tracing the rise of the self storage facility. While the proliferation of domestic self storage in the UK is derived from a web of correlations, this research considers self storage as a lens through which the subjective experience of inhabiting the neoliberal city, may be understood. Drawing from archaeological methods to conduct a material study of the contents of abandoned storage units, this study engages specifically with self storage as a long-term solution to domestic storage inadequacies. The material and theoretical engagements of this research raise three interpretations of the architecture of self storage and the material contents kept within, as situated in relation to domestic interiority. Pertaining respectively to excessive accumulation, intergenerational transference and emotional deferral; this research seeks to understand the span of motivations behind the depositing of domestic contents to self storage, thus exploring the psychic relationships inhabitants construct in response to this extended spatiality of the home’s contents. Articulating a meeting point between the economic and the existential, this research presents modern forms of self storage as a deeply metaphorical spatial phenomenon which is able to produce a reading of contemporary patterns in an urban and suburban dwelling.
Performative Interiors: Terminological and Theoretical Reflections on the Term 'Performative' Kassem, Ayman
Interiority Vol 2 No 1 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (79.697 KB) | DOI: 10.7454/in.v2i1.51

Abstract

‘Performative’ is an emerging term in architectural discourse. The word ‘performative’ is able to describe spatial qualities and design approaches. The term is mostly linked to the concepts of open-form, and flexibility which are characters that give the spatial design a strategic aspect as the ability to anticipate and host predicted and unpredicted occurrences, and to adjust to future changes, which also gives architecture the character of an unfolding ‘event’ in time and in space. This paper seeks to investigate the terminological and the theoretical dimensions of the term ‘performative.’
Material Atmospheres: Theorising Recent Shifts in Interior Visualisation Marinic, Gregory
Interiority Vol 2 No 1 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (641.259 KB) | DOI: 10.7454/in.v2i1.54

Abstract

Much like Walter Benjamin's analysis of the Parisian arcades during the interwar years of the early 20th century, emerging methods of seeing interior spaces reveal a deeper gaze into the contextual, material, and phenomenological conditions that produce more nuanced visions of interiority. A collective consciousness surrounding these constructed narratives is reflected in charged associations with the most salient imperatives of our time—globalisation, resource depletion, ecological degradation, and political instability—as well as their corresponding effects on the built environment. These visual provocations have incrementally percolated up to embody an expanding field of design activism for educators, theorists, practitioners, and students. How do these avant-garde techniques operate? What do they reveal about socio-political, economic, and consumptive forces shaping the global built environment? How do these speculative methods offer more critical ways to communicate dynamic conditions?
Interiority in Everyday Space: A Dialogue between Materiality and Occupation Atmodiwirjo, Paramita; Yatmo, Yandi Andri
Interiority Vol 2 No 1 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (79.188 KB) | DOI: 10.7454/in.v2i1.56

Abstract

Everyday space is a setting where ordinary acts, activities and events take place. It is interesting to examine closely how interiority is defined, understood and manifested in everyday space as a way to understand the inhabitation of the interior. The interiority of everyday space is defined not only by occupation but also through materiality. This issue of Interiority presents articles that address the relationships between interior materiality and different perceptual constructs and experiences of architectural space as inherent in the occupation of the everyday space.

Page 1 of 1 | Total Record : 7

 1 

Filter by Year

2019 2019


Reset
Filter By Issues
All Issue Vol. 6 No. 1 (2023) Vol. 5 No. 2 (2022) Vol 5 No 1 (2022) Vol. 5 No. 1 (2022) Vol. 4 No. 2 (2021) Vol 4 No 2 (2021) Vol. 4 No. 1 (2021) Vol 4 No 1 (2021) Vol 3 No 2 (2020) Vol. 3 No. 2 (2020) Vol. 3 No. 1 (2020) Vol 3 No 1 (2020) Vol 2 No 2 (2019) Vol. 2 No. 2 (2019) Vol. 2 No. 1 (2019) Vol 2 No 1 (2019) Vol. 1 No. 2 (2018) Vol 1 No 2 (2018) Vol 1 No 1 (2018) Vol. 1 No. 1 (2018) More Issue